Both crowned their careers with invaluable chronicles of their engagement with the cinema: Tavernier with the with the documentary “My Journey Through French Cinema” and the books “50 Years of American Cinema” and “American Friends,” and Bogdanovich with the books “Who the Devil Made It” and “Who the Hell’s In It.” The late Bertrand Tavernier and Peter Bogdanovich, distinguished critic-filmmakers who never lost their passion for other people’s movies and film history. Maya Cade for founding the Black Film Archive, which expands knowledge of and access to Black films made between 19, and includes her critical essays that define the project and consider the films in relation to each other and to the cinema overall.Ģ. Distribution: Jean-Gabriel Périot’s documentary “Returning to Reims”ġ. SPECIAL CITATION for a Film Awaiting U.S. Kodi Smit-McPhee (26) – “The Power of the Dog”
Anders Danielsen Lie (54) – “The Worst Person in the World”ģ. Benedict Cumberbatch (44) – “The Power of the Dog” Hidetoshi Nishijima (63) – “Drive My Car”Ģ. Jessie Buckley (21) – “The Lost Daughter” Renate Reinsve (42) – “The Worst Person in the World”Ģ. Penélope Cruz (55) – “Parallel Mothers”Ģ. “The Green Knight” (52) – Andrew Droz PalermoĢ. “Licorice Pizza” (20) – Paul Thomas Anderson “Parallel Mothers” (22) – Pedro Almodóvarģ. “Drive My Car” (46) – Ryusuke Hamaguchi and Takamasa OeĢ. Jane Campion (36) – “The Power of the Dog” Ryusuke Hamaguchi (46) – “Drive My Car” and “Wheel of Fortune and Fantasy”Ģ. Per our rules, because this year’s Best Picture is not in the English language, there is no award for Best Foreign-Language Film.
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